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2009/07/17

HERE COMES THE ARK

I thought I had everything AC, until a couple months ago when I discovered 'Ark'.. which is an early recording of 'Here Comes the Indian'. Ark was very hard to track down and I had to do some name switching, by listening to both albums to get the track order correct. I enjoy listening to these two back to back.. there are new tracks and repeat tracks from HCTI but in a different order. HCTI was another AC album that took a long time to grow on me, but I def have grown to love.


Another discovery about AC that I found at Wikipedia, was how on 'Feels' they tuned their instruments to an out-of tune piano:

"All the songs on feels are tuned to our friends piano which was out of tune to begin with. Dave and I made loops from recordings of him playing her piano and we used those loops in the early songwriting process for feels. So since those loops are premade and can't be tuned, the guitars have to be tuned to the loops. it's not out of tune in any tradional whole step/half step kind of way...we're talking microtonally out of tune after years of not being professionally tuned and subtle natural detuning. Kind of like if you played guitar in standard tuning for years but never once re-tuned it to make sure it was right. It would have it's own unique out-of-tune tuning based on what strings you played most often, how hard you played it, the temperature in the room, the humidity, etc... When we went into the studio it ruled over everything we did. Even doctess's live piano playing required us bringing in a professional piano tuner, playing him a minidisc recording of our friend's out of tune piano, and having him try to de-tune the studio's piano in exactly the same way our friend's was. Without those recordings or the loops dave and i made, you wouldn't be able to get it exact unless you tune to the album while it's playing, and even then, you'd have to know which loop in the album we use to tune, which one chord it is, and because of the way we mixed the loop in, it is almost impossible to separate from dave's guitar. I'll never forget when the tuner finished (we had to wait to start recording until he finished) and he stood up from the bench and went 'there you go, the piano's perfectly out of tune.'"

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